ARC’s 2010 musical production was Hello, Dolly!
Hello, Dolly! is a musical with lyrics and music by Jerry Herman and book by Michael Stewart. It was based on Thornton Wilder’s 1938 farce The Merchant of Yonkers, which Wilder later revised and retitled The Matchmaker in 1955.
Hello, Dolly! was first produced on Broadway by David Merrick in 1964, winning the Tony Award for Best Musical and taking home nine others. The show album Hello, Dolly! An Original Cast Recording was inducted into the Grammy Hall of Fame in 2002. The show has become one of the most enduring musical theatre hits, enjoying three Broadway revivals and international success. It was also made into a 1969 film that was directed by the legendary Gene Kelly and was nominated for seven Academy Awards.
Click here to read a review on ARC’s production of Hello, Dolly!.
Performance season
The performance season ran over two weeks and included 7 performances:
- Friday 2nd July: 8pm (Gala opening) Saturday 3rd July: 8pm Wednesday 7th July: 8pm Thursday: 8th July at 8pm Friday 9th July: 8pm Saturday 10th July: 2pm (Matinee) & 8pm
- Hello, Dolly! was performed at the Banyule Theatre, Heidelberg.
Cast
| Dolly Levi | Jaclyn De Vincentis |
| Horace Vandergelder | Robert Clark |
| Cornelius Hackl | Harrison Wall |
| Irene Molloy | Michelle Crupi |
| Barnaby Tucker | Anthony Economou |
| Minnie Fay | Rebecca Mignone |
| Ambrose Kemper | Mark Kearney |
| Ermengarde | Stefania Gatt |
| Ernestina | Ashleigh Kreveld |
| Rudi | Nicholas Durbridge |
| Ensemble | ||
| Mrs. Rose | Meaghan Kominiarski | |
| Stanley | Douglas Costello | |
| Judge | Dom Hennequin | |
| Cook 1 | Giulian De Vincentis | |
| Cook 2 | Evan Mullholland | |
| Clerk | Reginald Tan | |
| Nicholas Barca Felicity Bender Rowena Brown Elizabeth Carr Lydia Day Tania De Stratis Laura Harvey Nicholas Helmer Nathan Kellie Antigone Koutoulas Stephanie Laiacona Ellen Lane Shaun McMahon Rhys O’Shannassy Louise Parsons Ashleigh Psaila Michaela Ryan Liam Smith Natalie Torcaso Adrian Ventura |
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Producers (ARC Committee)
| President | Julian Campobasso |
| Vice President | Evan Mulholland |
| Treasurer | Anthony Economou |
| Secretary | Ashleigh Psaila |
| General Representatives | Nicholas Barca Ellen Lane Louise Parsons Natalie Torcaso |
Artistic Team
| Director | Stephen Valeri |
| Musical Directors | Simon D’AquinoChristine Munro |
| Choreographer | Marijke Franken |
| Assistant Director | Nathan Slevin |
| Assistant Choreographer | Lyndal Pope |
Production Team
| Costumes | Tanya Aston Louise Parsons |
| Front of House Co-ordinator | John McTiernan |
| Graphic Designer | Frank Gullone |
| Lighting Designer/Operator | Danny Issko Ashley Whelan |
| Lighting Assistant | Gerard Hook |
| Properties Managers | Nathan Slevin Stephen Valeri |
| Publicist | Paul Campobasso |
| Set Construction Manager | Matt Wheatland |
| Set Designer | Mark Kearney |
| Sound Designer | Marcello Lo Ricco |
| Sound Operator | Steven Cooke |
| Stage Manager | Olivia Scalzo |
| Assistant Stage Manager | Jessica Collings |
| Ticket Secretaries | Julian Campobasso Zoe Hallwright Louise Parsons |
| Orchestra | Sophie Antoniou Sarah Dakin Vanessa George Corey Hall Miles Izzo Simon D’Aquino David Kennelly Ashlee Kumar Louise McCabe Simone Michetti Jonathan Mullins Kane Nelson Andre Vikas Gavin Williams |
Synopsis – Act 1
It’s the turn of the 20th century, and all of New York City is excited because the widowed but brassy Dolly Gallagher Levi is in town (“Call On Dolly”). Dolly makes a living through what she calls “meddling” – matchmaking and numerous sidelines, including dance instruction and mandolin lessons (“I Put My Hand In”). She is currently seeking a wife for grumpy Horace Vandergelder, the well-known half-a-millionaire, but it becomes clear that Dolly intends to marry Horace herself. Ambrose Kemper, a young artist, wants to marry Horace’s weepy niece Ermengarde, but Horace opposes this because Ambrose’s vocation does not guarantee a steady living. Ambrose enlists Dolly’s help, and they travel to Yonkers, New York to visit Horace, who is a prominent citizen there and owns Vandergelder’s Hay and Feed
Horace explains to his two clerks, Cornelius Hackl and Barnaby Tucker, that he is going to get married because “It Takes a Woman” to cheerfully do all the household chores. He plans to travel with Dolly to New York City to propose to the widow Irene Molloy, who owns a hat shop there. Dolly arrives in Yonkers and “accidentally” mentions that Irene’s first husband might not have died of natural causes, and also mentions that she knows an heiress, Ernestina Money, who may be interested in Horace. Horace leaves for New York and tells Cornelius and Barnaby to mind the store.
Cornelius decides that he and Barnaby need to get out of Yonkers. They’ll go to New York, have a good meal, spend all their money, see the stuffed whale in the museum, get arrested, and each kiss a girl! They blow up some tomato cans to create a terrible stench and a good alibi to close the store. Dolly mentions that she knows two ladies in New York they should call on: Irene Molloy and her shop assistant, Minnie Fay. She tells Ermengarde and Ambrose that she’ll enter them in the polka competition at the fancy Harmonia Gardens Restaurant in New York City so Ambrose can demonstrate his ability to be a bread winner to Uncle Horace. Cornelius, Barnaby, Ambrose, Ermengarde and Dolly “Put on [their] Sunday Clothes” and take the train to New York.
Irene and Minnie open their hat shop for the afternoon. Irene wants a husband but does not love Horace Vandergelder. She declares that she will wear an elaborate hat to impress a gentleman (“Ribbons Down My Back”). Cornelius and Barnaby arrive at the shop and pretend to be rich. Horace and Dolly arrive at the shop, and Cornelius and Barnaby hide. Irene inadvertently mentions that she knows Cornelius Hackl, and Dolly tells her and Horace that even though Cornelius is Horace’s clerk by day, he’s a New York playboy by night; he’s one of the Hackls. Minnie screams when she finds Cornelius hiding in an armoire. Horace is about to open the armoire himself, but Dolly distracts him with patriotic sentiments (“Motherhood March”). Next, Cornelius sneezes, and Horace storms out, realizing there are men hiding in the shop, but not knowing they are his clerks.
Dolly arranges for Cornelius and Barnaby, who are still pretending to be rich, to take the ladies out to dinner to the Harmonia Gardens to make up for their humiliation. She teaches Cornelius and Barnaby how to dance since they always have dancing at such establishments (“Dancing”). Soon, Cornelius, Irene, Barnaby and Minnie are happily dancing. They go to watch the great Fourteenth Street Association Parade together. Alone, Dolly decides to put her dearly departed husband Ephram behind her and to move on with life “Before the Parade Passes By”. She asks Ephram’s permission to marry Horace, requesting a sign from him. Dolly catches up with the annoyed Vandergelder as he is playing in a band during the parade, and she convinces him to give her matchmaking one more chance. She tells him that Ernestina Money would be perfect for him and asks him to meet her at the swanky Harmonia Gardens that evening.
Synopsis – Act 2
Cornelius and Barnaby are determined to get a kiss before the night is over. As the clerks have no money for a carriage, they tell the girls that walking to the restaurant shows that they’ve got “Elegance”. At the Harmonia Gardens Restaurant, Rudolph, the head waiter, whips his crew into shape for Dolly Levi’s return: their usual lightning service must be “twice as lightning” (“The Waiters’ Gallop”). Horace arrives with his date, but she is not as rich or elegant as Dolly implied; and bored by Horace, she soon leaves, just as Dolly planned.
Cornelius, Barnaby and their dates arrive; unaware that Horace is also dining at the restaurant. Irene and Minnie are excited by the lavish restaurant and decide to order the most expensive items on the menu. Fearful of being discovered, Cornelius and Barnaby become increasingly nervous as they have less than a dollar left. Dolly makes her triumphant return to the Harmonia Gardens and is greeted in style by the staff (“Hello, Dolly!”) She sits in the now-empty seat at Horace’s table and proceeds to eat a large, expensive dinner, telling him that no matter what he says, she will not marry him. Barnaby and Horace hail waiters at the same time, and in the ensuing confusion each drops his wallet and inadvertently picks up the others. Barnaby is delighted that he can now pay the restaurant bill, while Horace finds only a little spare change. Barnaby and Cornelius realize that the wallet must belong to Horace. Cornelius, Irene, Barnaby and Minnie try to sneak out during the “The Polka Contest”, but Horace recognizes them and also spots Eremengarde and Ambrose. The ensuing free-for-all riot culminates in a trip to night court.
Cornelius and Barnaby confess that they have no money and have never been to New York before. Cornelius declares that even if he has to dig ditches the rest of his life as punishment, he’ll be a ditch digger who once had a wonderful day because he met Irene. Cornelius, Barnaby and Ambrose each profess their love for their companion (“It Only Takes A Moment”). Dolly convinces the judge that the only thing everyone is guilty of is being in love. Everyone is found innocent and cleared of all charges, but Horace is declared guilty and forced to pay damages. Dolly mentions marriage again, and Horace declares that he wouldn’t marry her if she were the last woman in the world. Dolly angrily bids him “So Long, Dearie”; while he’s bored and lonely, she’ll be living the high life.
The next morning, back at the hay and feed store, Cornelius and Irene, Barnaby and Minnie, and Ambrose and Ermengarde are each setting out on their own. A chastened Horace Vandergelder finally admits that he needs Dolly in his life, but Dolly is unsure about the marriage until her late husband sends her a sign. Vandergelder spontaneously repeats a saying of Ephram’s: “Money is like manure. It’s not worth a thing unless it’s spread about, encouraging young things to grow.” Horace tells Dolly life would be dull without her, and she promises that she’ll “never go away again” (“Hello, Dolly” (reprise)).